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ca. 1720 Portrait of a Bride with Flowers (Charlotte Aglaé d'Orléans, called Mademoiselle de Valois) by Pierre Gobert (Museu de Arte de São Paulo, São Paulo, Brazil)

Elizabeth Wethered Barringer 1852 by Spanish Painter Federico de Madrazo 1815-1894

Wright, “Mr. & Mrs. Thomas Coltman,” 1769-73

1714 Anne-Marie de Bosmelet, Duchesse de la Force by François de Troy

Maria de Medici's Mariage by Proxy with Henry Iv of France Represented by Ferdinand I Grand Duke, 1600. Uffizi Gallery, Florença.

Portrait of Philippe de Bourbon, Duke of Vendôme (1655-1727) Unknown date, oil on canvas by Jacob Ferdinand Voet (1639–1689)

Polyhymnia was in Greek mythology the Muse of sacred poetry, sacred hymn, dance, and eloquence as well as agriculture and pantomime. She is depicted as very serious, pensive and meditative, and often holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar. Polyhymnia is also sometimes credited as being the Muse of geometry and meditation.

Henriette-Anne d’Angleterre, duchesse d’Orléans (épouse en 1661 de Philippe de France, duc d’Orléans) (1644-1670), atelier des frères Beaubrun

de Artes & Humor de Mulher

Pinturas de François Martin Kavel!

François Martin Kavel

French, Portrait of an Artist, c. 1735, Chicago