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an advertisement for the new york subway system, which has been designed to look like it is
Riverbend typeface
Riverbend is a typeface full of spirit and energy, embodying the distinctive retro aesthetic. With playful curves and bold, striking strokes, this font adds a touch of nostalgia and creativity to various design projects. It's perfect for attention-grabbing headlines, posters, and artistic displays.
an image of some type of poster with different font and numbers on it, including the words trade gothic
Trade Gothic typefaces
The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960 while he was director of type development for Mergenthaler-Linotype in the USA. Trade Gothic does not display as much unifying family structure as other popular sans-serif font families, but this dissonance adds a bit of earthy naturalism to its appeal. Trade Gothic is often seen in advertising and multimedia in combination with roman text fonts.
an advertisement for some sort of product with different colors and shapes on it, including the words form follows function
Neue Haas Grotesk typefaces
The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.
the poster for an event with different font and colors
ITC Avant Garde Gothic typefaces
ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The condensed fonts were drawn by Ed Benguiat in 1974, and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in 1977.
this is havelia now logo and packaging design
Helvetica Now typefaces
Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition – which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 96 fonts, consisting of three distinct optical sizes: Micro, Text and Display, all in two widths. Each one has been carefully tailored to the demands of its size.
some type of font and numbers are shown in this graphic art work, including the words coco
Coco Gothic Pro typefaces
Inspired by a biography of Coco Chanel and trying to capture the quintessential mood of classical fashion elegance, Cosimo Lorenzo Pancini designed Coco Gothic looking for the effect that the first geometric sans typefaces (like Futura, Kabel or the italian eponyms like Semplicità) had when printed on paper. The crisp modernist shapes acquired in printing charme and warmth through a slight rounding of the corners that is translated digitally in the design of Coco Gothic.
some type of font with different colors and styles on it, including the words sofa pro
Sofia Pro typefaces
Sofia Pro is a geometric sans font family who dares the modernism and the harmony of the curves. Created in 2009 and completely redesigned in 2012, it has become over time a popular alphabet and has received many accolades from graphic industry professionals. It has very rounded curves with very open terminals that makes this font family elegant, friendly and contemporary.
some type of font and numbers that are all in different colors, shapes and sizes
Avenir typefaces
Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century.
an image of a poster with different font and numbers on the front, back and sides
Helvetica typefaces
😍This typeface was initially released as Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. The name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland) by Walter Cunz when D. Stempel AG, a major stockholder in Haas, reworked the design for Linotype GmbH in Frankfurt, a major stockholder in Stempel. The Mergenthaler Linotype Company in New York.
a book cover with the title kroq, and an image of a building
Frutiger typefaces
Frutiger was designed by Adrian Frutiger and published by Linotype. Frutiger contains 38 styles and family package options. The font is currently #16 in Best Sellers. More about this family
the poster for rock tower shows three different styles of architecture, including two buildings and one building
Urbane typefaces
Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting.
a poster with different types of letters and numbers on the front, including one for each letter
Neue Helvetica typefaces
Neue Helvetica was designed by Max Miedinger, Edouard Hoffmann and published by Linotype. Neue Helvetica contains 160 styles and family package options. The font is currently #2 in Best Sellers. More about this family