De kooning paintings

In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming from it.” That same year he painted Door to the River, making his wide brushstrokes with housepainter’s…

A leading artist among the Abstract Expressionists, Willem de Kooning never believed that abstraction and representation were mutually exclusive. As he stated: “I’m not interested in ‘abstracting’ or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it–drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.” Woman and Bicycle, one of a series of…

Willem de Kooning. Woman I. 1950–52. Oil and metallic paint on canvas. 6' 3 7/8" x 58" (192.7 x 147.3 cm). Purchase. 478.1953. © 2025 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. Painting & Sculpture

Peter Lanyon Exhibitions: The Treasure House Fair, 22 - 26 Jun 2023; Post-War British Art on Vortic, 2 - 30 Apr 2021; Frieze Masters, 4 - 7 Oct 2018; Pavilion of Art & Design, London, 10 - 14 Oct 2012; London Art Fair 2012, 18 - 22 Jan 2012

PaulMcCartney.com

Untitled XX by Willem de Kooning 1977. A work from the collections of the de Young and Legion of Honor museums of San Francisco, CA.

Untitled