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Jacob Lenz. English National Opera. Scenic design by Annemarie Woods.

Love's Labours Lost. Scenic design by Joe Tilford.

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All the Way. Alley Theatre/ Dallas Theater Center. Scenic design by Beowulf Boritt. Projections by Beowulf Boritt and Caite Hevner.

Money. Bermondsey Street site, London. Scenic design by Lizzie Clachan. 2010

A Wrinkle In Time - set design by Misha Katchman. This scenic design is about color. The orange and blues with the spots of white make it feel galactic and like you're in outer space. The blue and orange are complementary colors so they work well together and make each other stand out. There is a little bit of texture as well. There are swirls and engraving on the spiral object so it is very texturized.

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Lucy. Delaware Theatre Company. Scenic design by Alexis Distler.

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Don Quijote. Teatro Real, Madrid. Scenic design by Herbert Wernicke. 1999

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Divine parole. Piccolo Teatro di Milano. Scenic design by Paolo Fantin. Lighting by Alessandro Carletti.

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The Hobbit. Redgrave Theatre, Farnham. Scenic design by Colin Winslow.

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Set Design

The Valley. The Arts Club Theatre Company. Scenic design by Amir Ofek. 2016

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