Claes Oldenburg and Coosje van Bruggen ~ Saw, Sawing, 1996 (steel, epoxy resin, fiber-reinforced plastic)

Claes Oldenburg and Coosje van Bruggen ~ Saw, Sawing, 1996 (steel, epoxy resin, fiber-reinforced plastic)

best known for his public art installations typically featuring very large replicas of everyday objects. Our proposal called for a giant ice cream cone dropped upside down on one of the top corners of the building, tilted forward, so that melting ice cream would appear to drip over the windows. In her presentation of the work.The tilt differentiated it from the surrounding church steeples, while the emphasis on the cone form separated it from the advertising variations found in the street.

best known for his public art installations typically featuring very large replicas of everyday objects. Our proposal called for a giant ice cream cone dropped upside down on one of the top corners of the building, tilted forward, so that melting ice cream would appear to drip over the windows. In her presentation of the work.The tilt differentiated it from the surrounding church steeples, while the emphasis on the cone form separated it from the advertising variations found in the street.

Love This Sculpture Idea | Full Dose                                                                                                                                                     More

Love This Sculpture Idea | Full Dose More

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Claes Oldenburg. Hmm remarkably close to George Wylie's Rottenrow maternity safety pin...

Claes Oldenburg. Hmm remarkably close to George Wylie's Rottenrow maternity safety pin...

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Floor Burger, Claes Oldenburg 1962

Floor Burger, Claes Oldenburg 1962

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Claes oldenburg | Claes Oldenburg: “Soft Dormeyer Mixer”, 1965 © Claes Oldenburg

Claes oldenburg | Claes Oldenburg: “Soft Dormeyer Mixer”, 1965 © Claes Oldenburg

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Oldenburg and Bruggen giant fork  even over denken dat we goed moeten zijn met de natuur dat we nog steeds kunnen eten uit de zee  this photo looks very calm due to the mountains in the background, i like the way they have made the photo more creative by putting a large fork in the middle of the sea.

Oldenburg and Bruggen giant fork even over denken dat we goed moeten zijn met de natuur dat we nog steeds kunnen eten uit de zee this photo looks very calm due to the mountains in the background, i like the way they have made the photo more creative by putting a large fork in the middle of the sea.

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Claes Oldenburg "Floor cake". Synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes. 1962

Claes Oldenburg "Floor cake". Synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes. 1962

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Claes Oldenburg, Soft Toilet, 1966. Wood, vinyl, kapok fibers, wire, plexiglass on metal stand and painted wood base, 55 1/2 × 28 1/4 × 30 in. (141 × 71.8 × 76.2 cm). Whitney Museum of American Art, New York; 50th Anniversary Gift of Mr. and Mrs. Victor W. Ganz  79.83a-b

Claes Oldenburg, Soft Toilet, 1966. Wood, vinyl, kapok fibers, wire, plexiglass on metal stand and painted wood base, 55 1/2 × 28 1/4 × 30 in. (141 × 71.8 × 76.2 cm). Whitney Museum of American Art, New York; 50th Anniversary Gift of Mr. and Mrs. Victor W. Ganz 79.83a-b

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Claes Oldenburg Art | Claes Oldenburg | Art since 1945 | Hatje Cantz

Claes Oldenburg Art | Claes Oldenburg | Art since 1945 | Hatje Cantz

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